{"id":3637,"date":"2017-10-23T03:42:00","date_gmt":"2017-10-23T03:42:00","guid":{"rendered":"https:\/\/archive.hamiltonstreetgallery.org\/?page_id=3637"},"modified":"2017-10-23T04:50:54","modified_gmt":"2017-10-23T04:50:54","slug":"adorn-the-female-figure-in-folklore-and-myth-2","status":"publish","type":"page","link":"https:\/\/archive.hamiltonstreetgallery.org\/?page_id=3637","title":{"rendered":"Adorn (The female figure in folklore and myth)"},"content":{"rendered":"

[et_pb_section admin_label=”section”][et_pb_row admin_label=”Row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

Adorn (The female figure in folklore and myth)<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Row”][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/archive.hamiltonstreetgallery.org\/wp-content\/uploads\/2017\/10\/Adorn_Postcard.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”left” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n\n\n\n\n
\n

November 17 to December 19, 2012<\/strong><\/p>\n<\/td>\n<\/tr>\n

From the tiny \u201cVenus of Willendorf\u201d statuette, carved out of mammoth ivory, to Sandro Botticelli\u2019s dreamlike \u201cPrimavera\u201d to Willem de Kooning\u2019s tumultuous \u201cWomen\u201d series, the female figure has had a long, continuous, and developmental union with the art world. In most cultures, the female figure has been historically depicted in religion, folklore and myth as a symbol of fertility, protection, nourishment, sexuality, beauty and love, as well as evil, power and destruction. For this exhibit artists submited work that explores this long established and innate relationship connecting art, the artist, and the female figure.<\/p>\n\n\n\n\n\n
Featured Artists:<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ola Aldous
\nChristine Anderson
\nPeter Arakawa
\nVivian Bedoya
\nLuis Alves Collage
\nFred Cole
\nJane Dell
\nTheresa DeSalvio
\nVince DiOrio
\nSarah Allen Eagen
\nSteven Epstein
\nDonna Faranda<\/td>\n		Irvin J. Fuchs
\nRichard Gessner
\nBill Giacalone
\nSusan Evans Grove
\nBruce Gundersen
\nAdrienne Hecker
\nRita Herzfeld
\nAlison Hooper
\nLora Hudicka
\nJudith Hugentobler
\nRuth F. Jansyn
\nKathleen Kirchner<\/td>\n		Parvathi Kumar
\nKristina Lloyd
\nMaria Lupo
\nBrian McCormack
\nCaitlin McCormack
\nPat Feeney Murrell
\nNaomi Nierenberg
\nEllen Rebarber
\nRenee Samuels
\nJoseph Schembri
\nTatiana Sougakova
\nLisa Turngren
\nKaren Weintraub<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_portfolio admin_label=”Portfolio” fullwidth=”off” posts_number=”40″ show_title=”on” show_categories=”on” show_pagination=”on” background_layout=”light” hover_overlay_color=”rgba(255,255,255,0.9)” use_border_color=”off” border_color=”#ffffff” border_style=”solid” include_categories=”44″] [\/et_pb_portfolio][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

Reviews<\/strong><\/h3>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"

OLYMPUS DIGITAL CAMERA<\/p><\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Adorn (The female figure in folklore and myth) November 17 to December 19, 2012 From the tiny \u201cVenus of Willendorf\u201d statuette, carved out of mammoth ivory, to Sandro Botticelli\u2019s dreamlike \u201cPrimavera\u201d to Willem de Kooning\u2019s tumultuous \u201cWomen\u201d series, the female figure has had a long, continuous, and developmental union with the art world. In most […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3637","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/pages\/3637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3637"}],"version-history":[{"count":4,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/pages\/3637\/revisions"}],"predecessor-version":[{"id":3766,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/pages\/3637\/revisions\/3766"}],"wp:attachment":[{"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}