{"id":5119,"date":"2019-03-29T05:44:11","date_gmt":"2019-03-29T05:44:11","guid":{"rendered":"https:\/\/archive.hamiltonstreetgallery.org\/?post_type=project&#038;p=5119"},"modified":"2019-03-29T05:44:11","modified_gmt":"2019-03-29T05:44:11","slug":"darlene-foster-tread-lightly-at-twilight","status":"publish","type":"project","link":"https:\/\/archive.hamiltonstreetgallery.org\/?project=darlene-foster-tread-lightly-at-twilight","title":{"rendered":"Darlene Foster \u201cTread Lightly at Twilight\u201d"},"content":{"rendered":"<p style=\"text-align: center;\">photography\/montage, 23\u201d x 27\u201d 2016, $400.00<\/p>\n<hr \/>\n<p>The current direction of my work is primarily photography montage (the technique of producing a new composite whole from fragments of photographs). I\u2019ve always been a collector at heart, so my photography naturally evolved from concentrating on a single composition in the camera as the end product, to capturing images of anything that intrigued me for later use in a montage. Antique and vintage objects that have had previous lives are elements I collect that eventually find their way into my work. Its difficult to predict what will be a starting point for a new piece; a lan-scape with an unusual tree, a mysterious abandoned building, or the haunting eyes peering from a vintage portrait. Once I have a starting point, I begin to bring components together piece by piece digitally in Photoshop until I\u2019m satisfiedwith the composition. From there, I experiment with multiple filters, tones, colors and textures until the final image as close as possible to the original idea in my mind\u2019s eye.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>photography\/montage, 23\u201d x 27\u201d 2016, $400.00 The current direction of my work is primarily photography montage (the technique of producing a new composite whole from fragments of photographs). I\u2019ve always been a collector at heart, so my photography naturally evolved from concentrating on a single composition in the camera as the end product, to capturing [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5120,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[58],"project_tag":[],"class_list":["post-5119","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-arborescence"],"_links":{"self":[{"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/project\/5119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/project"}],"about":[{"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5119"}],"version-history":[{"count":1,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/project\/5119\/revisions"}],"predecessor-version":[{"id":5121,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/project\/5119\/revisions\/5121"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/media\/5120"}],"wp:attachment":[{"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5119"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=%2Fwp%2Fv2%2Fproject_category&post=5119"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=%2Fwp%2Fv2%2Fproject_tag&post=5119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}