{"id":7309,"date":"2022-05-04T04:02:33","date_gmt":"2022-05-04T04:02:33","guid":{"rendered":"https:\/\/archive.hamiltonstreetgallery.org\/?post_type=project&#038;p=7309"},"modified":"2022-05-04T04:02:33","modified_gmt":"2022-05-04T04:02:33","slug":"barbara-handler-its-worse-below-the-surface-acrylic-on-paper-1500-00","status":"publish","type":"project","link":"https:\/\/archive.hamiltonstreetgallery.org\/?project=barbara-handler-its-worse-below-the-surface-acrylic-on-paper-1500-00","title":{"rendered":"Barbara Handler \u201cIt\u2019s Worse Below the Surface\u201d acrylic on paper, $1,500.00"},"content":{"rendered":"<p><span class=\"Apple-converted-space\">\u00a0<\/span>&#8220;It&#8217;s Worse Below the Surface&#8221;, 22\u201d H x 30\u201d W , acrylic on paper, 2018, $1,500<\/p>\n<p><span class=\"Apple-converted-space\">\u00a0\u00a0 \u00a0 <\/span>Barbara\u2019s art is driven primarily by her interests in color, texture, shapes, and pattern. It is influenced by what she observes in the world around her, and is reflected in all of her work. While the work she creates is usually figurative, she likes to take a break to create abstract monotypes and paintings. These pieces allow her to work more freely, without the constraints demanded of recognizable objects, people and animals. She starts by sketching a rough design. As she develops the design as either a print or a painting, the image becomes more clear and kind of takes her where it will.<span class=\"Apple-converted-space\">\u00a0 <\/span>The titles are what comes to mind after the work is completed but she knows that viewers will interpret each piece in their own way.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0&#8220;It&#8217;s Worse Below the Surface&#8221;, 22\u201d H x 30\u201d W , acrylic on paper, 2018, $1,500 \u00a0\u00a0 \u00a0 Barbara\u2019s art is driven primarily by her interests in color, texture, shapes, and pattern. It is influenced by what she observes in the world around her, and is reflected in all of her work. While the work [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7310,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[76],"project_tag":[],"class_list":["post-7309","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-fragile"],"_links":{"self":[{"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/project\/7309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/project"}],"about":[{"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7309"}],"version-history":[{"count":1,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/project\/7309\/revisions"}],"predecessor-version":[{"id":7311,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/project\/7309\/revisions\/7311"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=\/wp\/v2\/media\/7310"}],"wp:attachment":[{"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7309"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=%2Fwp%2Fv2%2Fproject_category&post=7309"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/archive.hamiltonstreetgallery.org\/index.php?rest_route=%2Fwp%2Fv2%2Fproject_tag&post=7309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}